Manaf Halbouni's artistic practice is informed by a participatory approach that spans a wide range of media and often incorporates ordinary objects and materials. In his widely acclaimed memorial piece Monument, Halbouni put three buses, upended, in front of Dresden's Frauenkirche (Church of our Lady). The square in front of the Frauenkirche is symbolic, as the church was destroyed during the bombing of Dresden at the end of World War II. Halbouni's installation not only alluded to the ravages of war but also created a symbol of hope for war-torn countries, which, like the city of Dresden, may one day rise again from the ashes. Halbouni also erected Monument in front of the Brandenburg Gate in Berlin as part of the Third Berlin Autumn Salon in 2017. In addition to interventions in public space, Halbouni also creates more classic sculptural works.
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